History of Venice Podcast

Venice had won a crushing naval victory against Genoa in the summer of 1258. But that just meant that the Genoese needed to look for new allies. And Genoa’s new best friend is an old friend of our story: one of our former protagonists, who has been in the background of our narrative for the past half a century, is about to take centre stage again. But even when faced with a potential disaster, Venice will find a way to turn it into yet another triumph.
Background reading for this episode is very similar to last time, since this is really just a continuation of the same story:
Other than the general histories of Venice, for more detail about this episode try: 
“Il Grifo e il Leone: Genova e Venezia in Lotta per il Mediterraneo” by Antonio Musarra
“The Black Sea: Trade and Navigation (13th to 15th Centuries)” by Michel Balard
“Genoa and the Genoese: 928 to 1528” by Steven Epstein
“Venice: The remarkable history of the lagoon city” by Dennis Romano
“Le Repubbliche Marinare” by Ermanno Orlando
“City of Fortune: How Venice won and lost a naval empire” by Roger Crowley
“Les Chroniques des Veneciens” by Martin da Canal, which you can read in its original old French, with a fairly old-fashioned Italian translation, here: https://archive.org/details/lacronacaveneta00zongoog/page/268/mode/2up
 
Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.
Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

War. What is it good for? Well, in Venice’s case, it’s good for expanding your commercial networks and, just as importantly, keeping your rivals out of the best ports and trade routes. After the death of Frederick II in 1250, the Republic’s uneasy alliance with Genoa frays dramatically at the edges. The arena of the conflict is Acre – the most significant trading port in the remnants of the Crusader state of Outremer. Get ready for the War of St Sabas.
Key background reading for this episode:
A general book on Venetian history will always be a good place to start for a broad overview. In Italian, try “La Repubblica del Leone” by Alvise Zorzi. In English, try “A History of Venice” by John Julius Norwich, or “Venice: The remarkable history of the lagoon city” by Dennis Romano. Or plenty of others.
For more on the specifics of this episode, the resources that I used the most were:
“Il Grifo e il Leone: Genova e Venezia in Lotta per il Mediterraneo” by Antonio Musarra
“Genoa and the Genoese: 928 to 1528” by Steven Epstein
“Le Repubbliche Marinare” by Ermanno Orlando
“City of Fortune: How Venice won and lost a naval empire” by Roger Crowley
“Les Chroniques des Veneciens” by Martin da Canal, which you can read in its original old French, with a fairly old-fashioned Italian translation, here: https://archive.org/details/lacronacaveneta00zongoog/page/268/mode/2up
 
Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.
Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

It's two years today since we released our four-minute introduction episode into the world of podcasts. Today we try to recap the whole of Venetian history (up to 1250, where our narrative has reached) in about half an hour. Just in case you feel as though you've forgotten some of the key stuff from the past two years. We also pick our favourite episode from the past 12 months, and answer a few questions about both the past and the future of the show. Huge thanks to everyone for helping us to get this far.
Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.
Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org
 

After an enjoyable but ultimately financially draining two years in Paris, and a brief visit to his mother in Dresden, Casanova is making his way back home. But en route, he stops off in Vienna, the glittering home of the Hapsburg monarchy, headed by Empress Maria Teresa. What life lessons will he learn and what stories will he tell in the Austrian capital?
Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.
Intro and outro music is Estate from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

“The great Doge of Venice, Giacomo Tiepolo, was brave, wise and energetic. He was a winner. Before he became Doge, he had obtained victories over his enemies everywhere he went. And once he was the Doge, whenever and wherever there was a war he came out victorious”. That’s quite a write-up from our hype-man chronicler Martin da Canal. Does Doge Giacomo Tiepolo live up to it? Today, we consider his life and works, trying to draw together the political and cultural narratives that we’ve been talking about over the past few episodes.
Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.
Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

Ezzelino da Romano is remembered in the mythology of north-eastern Italy as a cruel and vicious ruler who inflicted inhuman punishments on his enemies. And maybe he was. But the more that you look at the surrounding situation, the harder it becomes to separate fact from fiction, and heroes from villains. As the wars between the Pope and the Western Emperor heat up again, Venice’s interests require her to pick a side. Things are going to get messy.
Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.
Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

In 1232, Venice received a visit from a short, ginger-haired man in his late 30s. But this was no ordinary visitor. This was the most powerful man in the known world; the convenor of the most brilliant court in Europe; the man who was referred to by an English chronicler as “Stupor Mundi” – the Wonder, or Astonishment, of the World. It's Emperor Frederick II's world, and we're all just living in it.
Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.
Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

In the autumn of 1260, a new fashion arrived in Venice from the continental European mainland. It had started just a few months earlier in the central Italian city of Perugia, and somehow it had caught the mood of a worried, uncertain population, concerned about the capricious nature of human existence and eager to atone for the evils of a fallen society. The flagellants were in town. Seemingly out of nowhere, ordinary people were going around in groups whipping themselves in a frenzy of piety. Suddenly, hurting yourself for Jesus was all the rage.  What in the name of all that is holy was going on?
This week we’re looking at religious devotion in 13th century Venice, and tracing the social and cultural legacy that it left on the Republic, some of which you can still see today.
 
Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.
Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org